Black Swan Makeup Trial |
Black Swan image from Kenton |
I wanted to achieve a fairly white base but I went a little lighter for the practice just to see how it turned out. I ensured that I had fairly heavy contouring in my cheek bones and temple before I applied the white base transparently to ensure the shadows of the cranial contouring could be seen through the foundation. Once applied I buffed the base into my skin so it didn't look quite so shiny and fake.
I then began the eye makeup by drawing the outline of the swan wings, ensuring both sides were perfectly even. Regardless of whether the curved edges were exactly the same, I ensured the points at the bottom of the wings finished in line with one another as the eye is drawn to this point and any mistakes would have been extremely obvious.
I then filled in the areas and patterns I wanted thicker with black gel liner to allow for the 'wings' to take shape. The final step for the eyes was to add silver eyeliner in all of the remaining spaces. Once the eyes were complete I moved onto the lips, as my mouth and lips are a different size and shape to Natalie Portmans i extended the lip colour beyond my natural lip line. I used a blue based lip liner and lipstick along with black gel liner to create the lip colour - blending is the key for lip colour like this so don't be afraid to blur one colour into the other.
Finally I added just a touch of blush under my cheek bones to emphasise the cranial and narrow my face. I made sure not to place the blush on or above the cheekbones as this was not done for the makeup in the Black Swan movie. I also recommend continuing the white base down the neck and across the chest to where the costume starts. This allows for the overall character to be created.
When I recreated this makeup for the second and final time I used a lot more white for the foundation. Looking back I prefer the initial, more transparent, version of the makeup.
The intensity of the white in the second version caused the makeup to lose some of its' eerie effect and looks less real. This is an example of why transparency in makeup is important for film and television makeup creations.
I then filled in the areas and patterns I wanted thicker with black gel liner to allow for the 'wings' to take shape. The final step for the eyes was to add silver eyeliner in all of the remaining spaces. Once the eyes were complete I moved onto the lips, as my mouth and lips are a different size and shape to Natalie Portmans i extended the lip colour beyond my natural lip line. I used a blue based lip liner and lipstick along with black gel liner to create the lip colour - blending is the key for lip colour like this so don't be afraid to blur one colour into the other.
Finally I added just a touch of blush under my cheek bones to emphasise the cranial and narrow my face. I made sure not to place the blush on or above the cheekbones as this was not done for the makeup in the Black Swan movie. I also recommend continuing the white base down the neck and across the chest to where the costume starts. This allows for the overall character to be created.
Version with whiter base |
The intensity of the white in the second version caused the makeup to lose some of its' eerie effect and looks less real. This is an example of why transparency in makeup is important for film and television makeup creations.
To finish off the look I wore a black corset decorated with feathers and diamante studs, black tutu, white ballet tights, and a silver tiara that I dry brushed with black acrylic paint. This is a fairly basic character makeup that most people would be able to create with minimal makeup products so I hope that some of my readers are willing to recreate the Black Swan.
Yours in Blood & Gore,
Caity
Yours in Blood & Gore,
Caity